It's easy to notice when young people are talked about rather than included. In those cases, people say "the youth" rather than just "young people." To change this, Ungdomsbureauet created De-Serien a series of books where young people share their own stories and explain the circumstances that shaped who they are. We were tasked with developing a brand identity and a website that could hold, organize, and embrace more than 200 personal stories.
Super16 was founded in 1999 by three students seeking an alternative to The National Danish Film School. Since its establishment, Super16 has been student-led, allowing them to determine their educational focus. The visual identity is designed for non-designers, complete with a brand book and a step-by-step guide on creating visuals for campaigns and event promotions. In existence since 1999, Super16 boasts a film archive of over 200 films and has seen over 100 members pass through over time. To facilitate this, I have in collaboration with Super16 developed a CMS-based website, giving members the flexibility to update films, member-profiles, or any other content on the site as they see fit.
Visual identity for Smidt.Works, a playfull production company. Vibrant colors, tight typography and an animated graphic element makes this identity playfull, without loosing its professional qualities.
At Medvind, people who are socially challenge can join a working community and gain stability in their daily lives by working as bicycle caretakers, thanks to “Det social frikort” card.
During the creation of a documentary, the realtor Rasmus is confronted with the consequences of keeping his relationship with tore a secret, for his family and friends.
In collaboration with director Teys Schucany and producer Laura Valentiner-Bohse we created the poster and titles for this mockumentary. The imagery was printet, hand-cut, scanned and then reassembled.
Et Lille Værksted works with a respect for traditional craftsmanship, but the furniture have a modern trace as well. This duality was important to communicate through the visual identity. The idea of simplicity, the respect for materials and traditions, as well as the professionalism we were met with in this collaboration, was an inspiration for this design process.
Preserving the name of the masterbrand while differentiating the venue by giving it its own visual language. Rearranging the logo and using the negativ space in the shield as a graphic element. The negativ space is half the logo, representing that half of Copenhagen Distillery where venue is situated. On top of that the shape creates a perspektiv indicating that the venue at copenhagen distillery will open up its doors and invite you in.
A documentary about family and how just being there is sometimes all you can do. In collaboration with director Søren Brydesen we created the poster, title and end credits for Kraftenlos. We worked with a concept of duality in the poster, meaning that the poster would be one thing before watching the movie and something els after.